A couple of months ago I talked about my idea of making handmade gifts like this. The idea was quite a hit and 2 of my aunts asked me to make the same for them. So here I am, with 2 more kettles as my Diwali gift to them :)
It’s no secret – I absolutely love warli and try to use it wherever possible.
This one turned out to be quite interesting and for once, I was really tempted to keep it for myself! ;)
I tried to bring in a couple of things together and even attempted some birds and beasts.
For the next one I took a brighter base and did a little freehand.
Though floral is not my forte, I quite liked the final result.
I didn't do a double coat of the base this time, so the aluminium is visible in some places.
Learning from experience, I didn’t put in plants this time.
a) not many species can survive in the little space that a kettle provides
b) without the plant, it can be used as an adornment in any corner of the house
I just hope after seeing each other’s kettles the aunts don’t complain, “Bhumi gave you the better one”. You know how aunts are...
In queue are two more friends. But I believe now I’m done with kettles. Looking for another interesting base. If you have any suggestions, do let me know.
And yes, wish you all a very Happy Diwali! :)
Everyone beneath the sun is dreaming dreams,scheming schemes, wanting what they haven't got, chasing golden beams...I'm like the rest its quite true
October 15, 2009
October 10, 2009
Kitchen Confidential
I still remember the day I watched my mother as she carefully took out a shiny steel box from the cabinet of the kitchen. An aromatic burst engulfed the steamy kitchen as she opened its lid. Inside were some six mini containers, holding spices which had very unusual shapes. My little eyes shone as if I had discovered a treasure I never knew existed in my very house. She called it ‘aakha’ (whole) garam masala. But for a 5 year old girl, it was nothing short of magic.
Over the years, not much has changed. I still stand in awe when I see the simplest of ingredients being transmuted into bold, hedonistic blends of the perfect flavour. Undoubtedly, Indian kitchens still remain the Holy Grail of gastronomy – churning out dishes that make for exalting culinary experiences. And it is not merely about the food, but about a whole culture that surrounds it.
“If you don’t measure the right thing, you don’t do the right thing.”
But interesting, in India we don’t really follow measurements. Here, ingredients are measured out by practiced ‘instruments’ – by hand. Indian cooking is not like preparing cakes where you can say, “add 2 tsp. of sugar”. Instead, it’s a more liberating practice where you follow the dynamics of ‘andaazan’. And after having cooked quite some meals, I defer from believing that ‘andaazan’ would simply mean ‘approximately’. It’s more than just that. It’s about having the freedom to experiment and add a bit of what you think would possibly make the dish taste more delicious.
At the same time, unlike western culinary quickies, traditional Indian cooking involves great patience. It’s about letting the curries simmer on a low flame; of grinding the spices leisurely, allowing the aromatic flavours to ooze; of churning the sheera at regular intervals for hours together until it attains that perfect golden allure…Definitely, it’s more than just patience at work; it’s passion.
And the love affair with food doesn’t end there. There’s always the dollop of ghee to top it all or the generous helping of ‘gud’ in the thali. In other words, it is an unadulterated vision of life as a pleasure-seeking activity, where the need to provide our bodies with the nutrients alongwith an unabashed portion of fat is really okay.
Having cooked for a substantial number of years now, I would like to believe that I have only begun to unravel the mysteries that make any food well worth its salt. A friend once said, “Never cook when you’re angry; the food wouldn’t taste good.” Food, then, is as much about the ingredients as about the ‘jazbaat’ of the person who prepares it. The pangs of the hostel-fed stomach, when it thinks of ‘ma ke haath ka khaana’, is certainly no exaggeration in that respect.
Surely, cooking isn’t as easy as our mothers make it out to be. Like all great arts, it is something that requires dedication, passion and the ability to pick up those nuances that help create a masterpiece. It is a complex concoction of traditional methods, culinary secrets, social respectability, gratification and ofcourse a heady dose of love. In the words of Linda Henley, “If God had intended us to follow recipes, he wouldn't have given us grandmothers.”
Over the years, not much has changed. I still stand in awe when I see the simplest of ingredients being transmuted into bold, hedonistic blends of the perfect flavour. Undoubtedly, Indian kitchens still remain the Holy Grail of gastronomy – churning out dishes that make for exalting culinary experiences. And it is not merely about the food, but about a whole culture that surrounds it.
“If you don’t measure the right thing, you don’t do the right thing.”
But interesting, in India we don’t really follow measurements. Here, ingredients are measured out by practiced ‘instruments’ – by hand. Indian cooking is not like preparing cakes where you can say, “add 2 tsp. of sugar”. Instead, it’s a more liberating practice where you follow the dynamics of ‘andaazan’. And after having cooked quite some meals, I defer from believing that ‘andaazan’ would simply mean ‘approximately’. It’s more than just that. It’s about having the freedom to experiment and add a bit of what you think would possibly make the dish taste more delicious.
At the same time, unlike western culinary quickies, traditional Indian cooking involves great patience. It’s about letting the curries simmer on a low flame; of grinding the spices leisurely, allowing the aromatic flavours to ooze; of churning the sheera at regular intervals for hours together until it attains that perfect golden allure…Definitely, it’s more than just patience at work; it’s passion.
And the love affair with food doesn’t end there. There’s always the dollop of ghee to top it all or the generous helping of ‘gud’ in the thali. In other words, it is an unadulterated vision of life as a pleasure-seeking activity, where the need to provide our bodies with the nutrients alongwith an unabashed portion of fat is really okay.
Having cooked for a substantial number of years now, I would like to believe that I have only begun to unravel the mysteries that make any food well worth its salt. A friend once said, “Never cook when you’re angry; the food wouldn’t taste good.” Food, then, is as much about the ingredients as about the ‘jazbaat’ of the person who prepares it. The pangs of the hostel-fed stomach, when it thinks of ‘ma ke haath ka khaana’, is certainly no exaggeration in that respect.
Surely, cooking isn’t as easy as our mothers make it out to be. Like all great arts, it is something that requires dedication, passion and the ability to pick up those nuances that help create a masterpiece. It is a complex concoction of traditional methods, culinary secrets, social respectability, gratification and ofcourse a heady dose of love. In the words of Linda Henley, “If God had intended us to follow recipes, he wouldn't have given us grandmothers.”
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